Sunday, December 12, 2010

One Video is Worth 120,000 Bits of Data

Hans Rosling teaches global health. He knows how to make numbers interesting. Raw data, he realizes, is not enough -- he needs to "show it in ways that people enjoy and understand."

For a BBC segment, The Joy of Stats, he does that by animating data in real space -- a remarkably engaging and effective use of video that goes beyond what is possible in words alone.

Edward Tufte would be proud.

In trying to explain 200 years of development in 200 countries -- using 120,000 separate bits of data -- he creates a 3D animated chart, with an X-axis for wealth (income per person) and a Y-axis for health (life expectancy). Each colored data point represents a country (with the size of each circle representing that country's population). So we can watch as clusters of countries move from poor and sick to rich and healthy between 1810 and 2010. In five minutes.

And look what we learn -- visually. Initially Western countries get healthier faster, while Third World countries lag behind. Asian countries start to play catch-up in the 1950s, and become emerging economies in the 1970s.

There are still huge disparities between the worst-off (Congo) and best-off (Luxembourg), but the gap is closing, and overall, most countries have improved immeasurably over the past two centuries, migrating to the "healthy/wealthy" corner of the graph.

However, seeing this progress is infinitely more impactful than reading about it.



Can you think of creative ways to use data visually to make your video stories clearer and more compelling?

(Tip of the cyberhat to Society of Professional Journalists blog, "Journalism and the World.")

Thursday, December 9, 2010

AIDS and the Elderly

AARP Bulletin produced this online video story, Standing Up to Stigma, in honor of last week's 22nd anniversary of World AIDS Day. It's about a septuagenarian stigmatized by perceptions of AIDS and HIV, even (especially?) among the elderly.

Robert Franke (pictured), 77, is a retired college provost and former minister who moved from Michigan to Arkansas last year to be closer to his daughter.

However, an upscale assisted living facility there ousted him after one night because he has HIV, resulting in a discrimination lawsuit -- and ultimately an undisclosed settlement.



Katja Heinemann's video is part of her longterm project on HIV and aging, called "The Graying of AIDS," which you can see on her portfolio Website, KatjaHeinemann.com . She says that projections indicate that by 2015, half the HIV-infected population of the U.S. will be over 50 years old.

Saturday, December 4, 2010

First Platypus Workshop for 2011

Dirck Halstead's next Platypus Workshop for videojournalism will be held February 13-19, 2011 at Texas State University in San Marcos, TX.

"The only thing you need to supply is your own DSLR capable of shooting HD video. We also recommend you get a Zacuto finder for the camera as well as a hard drive."

You will learn how to use your DSLR, along with tips and tricks to make it an incredible tool for you in editorial, corporate and filmmaking settings. We will teach you field sound recording, cinematic storytelling, the use of lenses, tripods, multimedia applications, and Apple's latest Final Cut Pro editing software.
Since its inception in 1999, over 300 photojournalists have been trained in multimedia at the Platypus program.

Our graduates have gone on to do television documentaries, Web videos, especially for newspapers, and even films. One of our graduates was a nominee for an Oscar in 2006, and the 2010 winner of the Sundance Film Festival Documentary Award for his film Restrepo was Platypus graduate Tim Hetherington.
You can attend the workshop as a shooter or as a producer, to collaboratively create the class exercises and a final 3–5 minute documentary or news story.

The cost of the workshop is $1795. NPPA and ASMP members are eligible for a 10% discount.

Register at the Precision Camera & Video website - or at (512)467-7676 Ext. 360.

For more info, email Dirck Halstead at dhalstead [at] mac[dot]com

Friday, December 3, 2010

NPPA Advanced Storytelling Workshop

Take advantage of early-registration discounts and sign up now for NPPA's Advanced Storytelling Workshop

The week-long program (April 10-15, 2011) at Texas State University (San Marcos, TX) is designed for experienced television and newspaper photographers, reporters, and video journalists – "anyone who tells stories with moving pictures, sound, and words."

During the week, you will develop story ideas, research, report, shoot, edit and produce complete packages.

Everyone’s a participant. To maximize the participant-to-teacher ratio, enrollment is limited to 35. We pick up where the NewsVideo Workshop in Oklahoma leaves off.
You can see videos by previous students here.

Registration info is here.

Alexia Photojournalism Award Deadlines Announced

The Alexia Foundation has announced the deadlines for its 22nd annual photojournalism grant competition.

The professional grant proposals and accompanying photographic portfolio are due January 18, 2011 (5pm ET), and the student deadline is February 1, 2011(5pm ET).

Contest administrator Tom Kennedy says:

"The Alexia Foundation promotes the power of photojournalism to give voice to social injustice, to respect history lest we forget it, and to understand cultural difference as our strength — not our weakness. Through grants and scholarships, The Alexia Foundation supports photographers as agents for change.

"It is not a portfolio competition. The grants are awarded to a photojournalist who can further cultural understanding and world peace by conceiving and writing a concise, focused, and meaningful story proposal, and who can demonstrate the ability to visually execute that story with compelling images...."

LINKS:

Rules (Professional category)

Rules (Student category)

NPPA report

Thursday, December 2, 2010

The Kobre Videojournalism Consortium

We've applied for a Knight News Challenge grant to help subsidize our plan to create the Kobre Videojournalism Consortium.

We're inviting your input -- please take a look at our proposal here -- and take a minute to rate it and comment on it.

(To her horror, one of our colleagues accidentally hit the "one star" rating, when she meant to click "five stars" -- so we need some positive ratings to offset that!)

No, it's not a popularity contest, but obviously enthusiastic endorsements can't hurt.

And of course we welcome your feedback.

The idea, in a nutshell, is to create a consortium of top media outlets that would share ideas and resources to produce topnotch videojournalism that could be distributed to all members (to pump up audience and advertising revenue) and also licensed/syndicated to non-members for additional revenue.

Here are some of the advantages.

Lots of newspapers are producing original video stories of universal appeal whose audience potentially lies outside its own distribution area. This would give a newspaper in Detroit, for example, an opportunity to have its best work seen in Seattle, San Diego, and St. Petersburg. Bigger distribution, bigger ad dollars. AND the reciprocal opportunity for Detroit citizens to see high-quality video stories produced by newspapers in other cities, that they would not ordinarily see.

Further, we would initiate and generate original video story ideas that we would then assign to, and invite input from, partners and affiliates. This would give local context to national stories, and national context to local stories. Think of how news wire services, or TV/radio news networks, operate -- with participation from member organizations. So far, nobody has attempted this with videojournalism.

It would create a network of top videojournalists throught the nation (and eventually the world) who are either affiliated with major media outlets or cream-of-the-crop freelancers (sorry, no "citizen journalists"!). Instead of having to rely on the traditional "one-man band" approach to videojournalism -- where newspaper staffers are expected to be able to excel at a disparate variety of skill sets (interviewing, shooting, editing, etc.), we could count on specialists.

There's lots more to the proposal -- including the development of a standardized videoplayer, with the most technologically advanced functionality, that would fit all content management systems and platforms. (This has been a stumbling block to enabling media organizations from showcasing each other's work -- and we believe we are in an ideal position to solve this problem.)

Others have successfully formed loose affiliations of freelance videojournalists, notably VJ Movement and DuckRabbit.

What we're proposing is an affiliation of major media organizations, who are in a position to partner and share in the creation and distribution of original nonfiction video stories, and profit from the additional revenue that would create.

The beauty of this scheme is that, for very little additional effort, major media institutions stand to gain in the quantity and quality of videojournalism -- and, by broadening their audience both within their distribution area and beyond their geographic borders, fatten their coffers in the process.

Having published KobreGuide to the Web's Best Videojournalism since 2008, and consulting with the leading videojournalists during that time -- both at the managerial level and in the field -- we are singularly in the best position to put this plan into action.

What do you think? Let us know! If you have trouble with this link, then go to http://www.NewsChallenge.org, click the READ & COMMENT tab, and enter KOBRE in the search field.

We eagerly await your feedback.

Wednesday, December 1, 2010

2 New MediaStorm Workshop Videos

Take a look at these two results of the recent eighth MediaStorm Multimedia Workshop.
They're both video profiles. Mr. Blues introduces us to an upscale Harlem barkeep and the neighborhood changes he and his institution have endured and surmounted. Running with Scissors takes us inside the life of a hairdresser who makes housecalls, and is confronting midlife health and emotional issues.

Samuel Hargress Jr. is the owner of Paris Blues bar in Harlem, New York. The bar attracts a cast of characters that could have come from Cheers, Harlem-style. While witnessing dramatic changes in the neighborhood, Sam created a timeless place where regulars dance in their godfather hats, snakeskin leather shoes, and 1940’s styled zoot suits.
See Mr. Blues here.

Hairstylist Brian Machon has been practicing his craft for over 20 years and has close relationships with his clients. When he narrowly escaped a heart attack, questions surrounding his life, and his real family, were raised.
See Running with Scissors here.

The MediaStorm Multimedia Workshops in New York City are intensive, hands-on educational experiences in advanced multimedia storytelling.

"Over the course of a week, participants work in three-person teams, reporting and editing in collaboration with a seasoned multimedia professional to produce a multimedia project for distribution across multiple platforms."

MediaStorm will hold three Multimedia Workshops in 2011:

* March 5-11, 2011 – Application Deadline: Friday, January 7, 2011
* July 23-29, 2011 – Application Deadline: Friday, May 27, 2011
* November 12-18, 2011 – Application Deadline: Friday, September 16, 2011

For additional info, and to apply, go here.