Showing posts with label Oscar. Show all posts
Showing posts with label Oscar. Show all posts

Wednesday, February 3, 2010

Oscars: Best Documentary Features and Shorts


When the Academy Award nominations were announced yesterday, understandably all the attention went to "Avatar" and the movies (and movie stars) that draw big crowds at theaters.

So we're here to shine some kleig lights on two notable but underappreciated categories, Documentary Feature and Documentary Short Subject, which you won't read much about elsewhere.

Documentary (Feature)

* “Burma VJ” Anders Østergaard and Lise Lense-Møller
* “The Cove” Nominees to be determined
* “Food, Inc.” Robert Kenner and Elise Pearlstein
* “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
* “Which Way Home” Rebecca Cammisa

Documentary (Short Subject)

* “China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
* “The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
* “The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
* “Music by Prudence” Roger Ross Williams and Elinor Burkett
* “Rabbit à la Berlin” Bartek Konopka and Anna Wydra

How many have you seen?

We'll devote a future blog item to the Feature category. Today let's take a look at the Shorts.

Though the subject matter and themes are eclectic, perhaps it will shed some light on what kinds of big topics are being tackled in major non-fiction film projects that actually get produced and distributed in the U.S.

If you've seen any of these nominees, it's probably been on HBO, where most of them have already aired, and the rest are now likely to. Remarkably, at least one originated with an HBO exec, who assigned it to the filmmakers.

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"China's Unnatural Disaster"

In the aftermath of the massive earthquake that rocked this central region of China, several communities are in mourning for the children they lost.

Read full synopsis here.

Read a Q&A interview with directors Jon Alpert and Matthew O'Neill here.

Here's the trailer:



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"The Last Truck: Closing of a GM Plant"

On Dec. 23, 2008, the General Motors assembly plant in Moraine, Ohio shut its doors, leaving 2,700 employees without jobs. But GM wasn't just a car company; it was the lifeblood of the community.

Read full synopsis here.

Read Q&A with directors Steve Bognar and Julia Reichert here:

Here's the trailer:



***
"Music by Prudence"

Zimbabwean singer songwriter Prudence Mabhena, 21, was born severely disabled into a society where disabilities carry the taint of witchcraft; she is more likely to spend her life hidden away in a tiny hut than on a stage in the center of a city. Her story is the story of many of the disabled kids of Africa, a story of abandonment and abuse. But Prudence and her seven young band members, all disabled, have managed to overcome stereotypes and inspire the same people who once saw them as a curse.

It is directed by Roger Ross Williams , a veteran TV news producer who has worked for all the major networks.

HBO Documentary Films picked up "Music by Prudence" for distribution, and will probably air it soon.

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"Rabbit à la Berlin"

It's an important lesson of history that a system of order intended to produce one result will often give birth to something entirely unexpected. So it was with the Berlin Wall, which was, in fact, two separate walls, one on the east and one on the west with a 120-kilometre strip of land between them. The enclosed patch was unintentionally converted into a kind of rabbit reserve as the walls encircled the lush green meadows of Potsdamer Platz and cut its wild rabbit population off from both escape and predators. For 28 years, the strip of earth enclosed between the two walls was their safest of enclaves. But then one day the walls came down and the rabbits were suddenly freed from a restrictive system, albeit one to which they had become accustomed. Told in the style of a nature documentary, with a captivatingly dreamy tone and a tongue-in-cheek nod to the story's allegorical tale of a totalitarian system, "Rabbit à la Berlin" provides a fascinating history lesson told through the eyes of animals.

Documentary.org interview with director Bartek Konopka here.

***
"The Last Campaign of Governor Booth Gardner"

This documentary shows how the former Washington state governor led the campaign on behalf of the state’s Death with Dignity Act, which allows assisted suicide.

Director Daniel Junge is the creative director of the Denver-based production company Just Media.

The film doesn't yet have a Website or a trailer, and it won't have its first public screenings until later this month in New York. It has been picked up by HBO, and though no air date has been set, its Oscar nomination is likely to expedite its scheduling.

***
If you live near Los Angeles, here's some good news:
The Academy celebrates the work of the nominated filmmakers in the Documentary Short Subject and Feature categories with the first annual “Docs!” night. The program will include film clips from each of the nominated documentaries in both categories, and a panel discussion with each group of nominees.

Tickets: $5
Wednesday, March 3, 7:30 p.m.
Samuel Goldwyn Theater
8949 Wilshire Boulevard
Los Angeles, CA

Info here

The 82nd Academy Awards ceremony will be televised on March 7th, 5pm PT, 8pm ET.

Thursday, November 19, 2009

15 Documentaries Tapped for Oscars

The Academy of Motion Picture Arts and Sciences has announced that, of the 89 films that had qualified in the Documentary Feature category, 15 have been selected to advance in the voting process for the 82nd Academy Awards®.

* “The Beaches of Agnes,” Agnès Varda, director (Cine-Tamaris)
* “Burma VJ,” Anders Østergaard, director (Magic Hour Films)
* “The Cove,” Louie Psihoyos, director (Oceanic Preservation Society)
* “Every Little Step,” James D. Stern and Adam Del Deo, directors (Endgame Entertainment)
* “Facing Ali,” Pete McCormack, director (Network Films Inc.)
* “Food, Inc.,” Robert Kenner, director (Robert Kenner Films)
* “Garbage Dreams,” Mai Iskander, director (Iskander Films, Inc.)
* “Living in Emergency: Stories of Doctors Without Borders,” Mark N. Hopkins, director (Red Floor Pictures LLC)
* “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers,” Judith Ehrlich and Rick Goldsmith, directors (Kovno Communications)
* “Mugabe and the White African,” Andrew Thompson and Lucy Bailey, directors (Arturi Films Limited)
* “Sergio,” Greg Barker, director (Passion Pictures and Silverbridge Productions)
* “Soundtrack for a Revolution,” Bill Guttentag and Dan Sturman, directors (Freedom Song Productions)
* “Under Our Skin,” Andy Abrahams Wilson, director (Open Eye Pictures)
* “Valentino The Last Emperor,” Matt Tyrnauer, director (Acolyte Films)
* “Which Way Home,” Rebecca Cammisa, director (Mr. Mudd)

The Wrap noted the absence of Michael Moore's high-profile "Capitalism: A Love Story," and James Toback's well-received "Tyson," which covers the life of boxer Mike Tyson in his own words.

And the screening committee obviously doesn't like rock 'n' roll, because neither "Anvil! The Story of Anvil" nor Oscar winner Davis Guggenheim's "It Might Get Loud" made the cut.
Cinematical notes those absences, along with "The September Issue" (about Anna Wintour and Vogue magazine), and adds: "Last year's best-reviewed documentary, 'Man on Wire,' went on to win the Oscar; 'Anvil!' holds that title this year (98% at Rotten Tomatoes), but it's not even going to be nominated."

How many of these feature-length documentaries have you seen? Any of your favorites missing? Which of the selected films do you think will be nominated? Which one will win an Oscar?

Nominations will be announced on Feb. 2, 2010. The awards ceremony will take place March 7, 2010.

Saturday, August 22, 2009

'It Might Get Loud': A Storytelling Lesson

Go see (and hear!) ' It Might Get Loud,' a new untraditional documentary.

Rock icons from three different generations -- Jimmy Page (Led Zeppelin), the Edge (U2) and Jack White (White Stripes) -- come together to talk about the electric guitar and their musical influences. The maestros swap stories and crank up their instruments on an empty soundstage for a superstar jam session. Along the way, they visit the majestic hall where "Stairway to Heaven'' was composed, and we are taken to the high school classroom where U2 first met and rehearsed in their teens. Jack White composes a song on-camera at a Tennessee farmhouse, and the Edge lays down tracks for a U2 single.

It's directed by Davis Guggenheim, who also directed Al Gore's Oscar-winning global-warming documentary, 'An Inconvenient Truth,' along with a slew of critically acclaimed TV series.

'It Might Get Loud' sets out to explain the influence of electric guitars on our lives in a way that hasn't been attempted before -- by intertwining the intimate stories of three who have famously mastered it. We are treated to small personal moments from three very different lives and careers, shot over the course of a year on two continents and artfully woven together, culminating in a combined jam that was shot with seven cameras on a Hollywood sound stage .

Says Guggenheim: "I hope the audience will fall in love with these guys as much as I did, not just as rock stars, but as individuals and artists who turned their individual life experiences into music: beautiful, raw, in-your-face, visceral, and transcendent."

The film succeeds in capturing what collectively excites us about electric guitars through the prism of three strong protagonists and their private journeys. And in the great rock 'n' roll spirit, those individual solos build to a tour de force ensemble climax.

One element that distinguishes this documentary style is that the filmmaker has imposed his own template and agenda -- bringing together three people who would not have otherwise assembled but for this film.

Lesson for videojournalists: Look for instances in which it makes narrative sense to physically bring together characters who might not otherwise meet. Their natural interactions and conversations can be exponentially more colorful and illuminating than anything that might be revealed through individual talking-head interviews.

Sunday, February 22, 2009

'Smile Pinki': Best Documentary (Short) Oscar

That other Indian film is getting all the Academy Award attention, but we're intrigued by the 39-minute true story about an Indian girl's million-dollar smile... and wondering where and how we can see it for ourselves!

Best Picture winner 'Slumdog Millionaire' is still in theaters, but good luck trying to find 'Smile Pinki' on YouTube or Netflix. It won the Oscar for Best Documentary (Short Subject), and it sounds terrific, but we scoured the Web in vain for viewing info.

So we'll share with you what we've been able to find.

Directed by San Francisco-based Megan Mylan, it's a fairytale-come-true about a poor five-year-old girl who's born with a cleft lip deformity, but thanks to the global Smile Train Project, she receives plastic surgery and her life is transformed . By all accounts, it's a true Kleenex dampener.

We found the trailer (also over here); a talk show featuring Mylan, Pinki, Pinki's dad, and Pinki's surgeon; and a transcript of an interview with Mylan. But please let us know if you find the actual movie itself -- we're eager to see it!

Meanwhile, the good news is that the Best Documentary Feature winner is still in theaters, and as we've previously reported, it is phenomenal. James Marsh's breathtaking 'Man on Wire' offers a behind-the-scenes re-creation of Philippe Petit's 1974 vertiginous tightrope waltz between the World Trade Center towers, and all the preceding years of strategizing the historic spectacle that became known as the "artistic crime of the century." Go see it! Here's the trailer: