Showing posts with label multimedia. Show all posts
Showing posts with label multimedia. Show all posts

Thursday, October 14, 2010

Multimedia from 2010 Eddie Adams Workshop

The 22nd annual Eddie Adams Workshop ended this week, and you can see the participants' multimedia assignments here.

Pulitzer Prize-winning photographer Adams founded the intensive tuition-free four-day program "to create a forum in which an exchange of ideas, techniques, and philosophies can be shared between established members and newcomers to the world of visual journalism."

One hundred carefully selected students gather in Jeffersonville, New York, where they are given a two-day shooting assignment. Some augment their still photos with audio and video, working in multimedia teams led by industry giants Brian Storm, Tom Kennedy and Rich Beckman.

Nine videos resulted from Barnstorm 2010. Take a look and share your thoughts.

You'll find multimedia assignments from previous years here.

Wednesday, June 2, 2010

Time's Craig Duff on Videojournalism's Future

Time magazine's multimedia director Craig Duff (left) is the guy responsible for developing the online video strategy for that print magazine. He shares his thoughts here on the future of Web videojournalism with ScribeMedia's Michael Cervieri (right).



Look for Time's best video on KobreGuide's Time channel.

Thursday, April 22, 2010

BBC Multimedia: The Long Way Home

Volcano-induced air-travel paralysis has been splendidly captured in a BBC audioslideshow, The Long Way Home, ingeniously produced by Paul Kerley.

The blend of stunning images and soundbites are cleverly set to the beat of REM, Sinatra, Pat Benatar, Dwight Yoakam, and more, underscoring the comic preposterousness of the whole messy situation.

Watch it here.

(Cyberhat tip to Guy Kawasaki's Alltop.)

Sunday, April 4, 2010

First Prize for Excellent Advice

Videojournalist Colin Mulvany was elated to find that he won an "honorable mention" for one of his Spokesman-Review video stories (pictured) in this year's NPPA Best of Photojournalism contest in the multimedia category.

Until he realized that his was the only award in that category. There was no first, second or third prize. As he blogged:
What gives? This is the second year in a row I’ve placed in this News Video category. Last year I received a 2nd place, but no third was given. This troubles me. Not because I didn’t place higher, but because the judges didn’t see a video that reached a high enough level of excellence to place.
Rather than stew, he sought to figure out what was missing. During an online chat with the contest judges afterwards, he asked forthrightly why they chose to withhold those awards. Their response, as we previously reported, was illuminating:
"This was a real struggle for us. Many were full of technical errors and ignored the basic principles of photojournalism. We saw lots of evidence of urgency, however we really couldn’t award anything that had technical or fundamental errors."
Then as fate would have it, Colin subsequently helped judge the NPPA’s Monthly Multimedia Contest ... and saw for himself what the other judges were seeing.

"Video at newspapers," he concluded, "needs to improve. Dramatically."

Here is the gist of his prescriptive advice, but we advise you to soak up the specifics. Based on what we see every day at KobreGuide, in our quest to discover excellent videojournalism, when it comes to what's missing in 99 percent of the videojournalism stories out there, Colin has really hit the nail on the head.

Among the recurring problems he finds:

* Storytelling (making the transition from still images to video sequences)

* Bland Videos (no surprising revelations or engaging hooks)

* Structure (lack of dramatic narrative)

* Technical flaws (jarringly distracting audio and/or video glitches)

* Editing (lack of pacing, transitions, sequencing, layering, orchestration, audio mixing)

* Journalism (lack of basic reporting principles, the most frequent offense being the absence of multiple sources)

Colin recommends that videojournalists not be shy about collaborating with whoever can strengthen the story -- a print reporter, a video editor, even a script writer and narrator. He concludes, as we have, that newspaper videojournalists shouldn't strive to emulate TV news crews, but at the same time need to acknowledge that we have much to learn from them. We should embrace opportunities to partner with them, and even immerse ourselves in video workshops so that we can get better acquainted with the basic fundamentals of producing solid video stories. (He recommends a few that are worthy of your attention.)

"Until you know what you are doing wrong," he writes, "you can’t improve your video storytelling."

Go follow Colin's prizeworthy advice, and before long you will be winning those awards!

Wednesday, March 10, 2010

BBC Expanding Online News Video

BBC News is amping up its online video news coverage.

According to Journalism.co.uk:

The BBC will experiment with more livestreaming and short-form video on its website as part of its developments in multimedia news journalism...

More live coverage will be explored with the development of a "rich live page" featuring related content, streams of microblogged updates from correspondents and social media feedback from viewers alongside news videos...
The article quotes the BBC's new multimedia guru pontificating about what does and doesn't work with online video, and how it should and shouldn't be packaged and presented.

And you can see the current state of affairs over here and here.

Right now it pretty much looks like TV news repurposed (i.e. degraded) for the Web, as opposed to created for the Web -- a hybrid of raw footage, soundbites, half-assembled reports, with the occasional anchor or correspondent voiceover. Much of it looks like it's not ready for prime time, but was apparently deemed "good enough" for online use (i.e. scraped off the proverbial cutting-room floor).  Plus the videos themselves are poorly organized -- just a jumbled woodpile of unenticing titles and nondescript thumbnail images begging not to be clicked.

In short, not an improvement on standard newspaper video presentation (which is, for the most part, abysmal). For starters, we think the BBC could augment their basic headline service and B-roll with a healthy dose of full-fledged enterprising videojournalism storytelling. That takes an investment of time, money and talent -- far more than the slapdash efforts currently on display. If they really do decide to  stop dragging a foot in the past, and instead boldly plant one in the future, we believe the journalistic rewards will become readily apparent, with audience loyalty and financial rewards to follow.

Saturday, February 27, 2010

YouTube Contest: Last Chance to Enter! (Here Are the Criteria -- and 6 More Video Tips)

Hurry! The first round of YouTube's Project: Report contest ends tomorrow (Sunday). Upload your three-minute video (about a day in the life of someone who's making a positive impact on their community), and you could win a $10,000 grant to pursue videojournalism internationally.

We've previously shared YouTube's video tips for producing your video, here and here.

Now we've got another half dozen doses of advice about media management, story building, editing techniques, compression, audience building, promoting your video, and incorporating print journalism techniques into your video reporting.

Each short video features an accomplished professional videojournalist. So whether or not you choose to enter the contest, you're bound to glean some useful instruction here:


Project Report Production Tip #9: Media Management
(Whitney Shefte, Washington Post videojournalist)



***

Project Report Production Tip #10: Story Building
(Pierre Kattar, former Washington Post videojournalist)



***

Project Report Production Tip #11: Editing Techniques
(Robin Bell, Bell Visuals production company)



***

Project Report Production Tip #12: Compression
(Michael Rickley, Azimuth Media video producer)




***

Project Report Production Tip #13: Increasing Your Audience
(Mark Stanley, New Media Strategist, Pulitzer Center on Crisis Reporting)




***

Project Report Production Tip #14: Print to Video Journalism
(Jason Motlagh, Pulitzer Center international multimedia journalist)



***

CRITERIA: What makes a great videojournalism story?

If you decide to enter, be sure to read the rules. And even videojournalists who don't enter would do well to heed the judging criteria below (which, not coincidentally, is remarkably similar to the checklist we use to select video stories to showcase on KobreGuide to the Web's Best Videojournalism).

# Is the story topic interesting and compelling?
# Was the story reported from an original and unique perspective?
# How thorough was the reporting?
# Did the Entrant have an engaging storytelling style?
# How well did the Entrant technically execute the video? (i.e. the use of camera, sound, lighting, and editing)
# What was the overall impression?

Good luck!

LINKS:

VIDEO TIPS #1 - 6

VIDEO TIPS #7 & 8

YOUTUBE PROJECT: REPORT

Thursday, December 3, 2009

10 Tips for Adding Music to Video

Courtesy of MediaStorm's Eric Maierson, here are ten techniques that their team uses when adding music to their multimedia productions. We'll give you the essence, and then point you to their excellent blog for the details (and examples).

First and foremost, decide if you even want or need music -- and that's a completely subjective consideration. Many purists believe that, unless you're using music that was actually heard at the scene (i.e. natural sound), it's a violation of journalistic ethics to add it to your video, since your choice of music (and its tempo and mood) demonstrably affects how viewers process and interpret what they're seeing.

If a soundtrack is indeed desired, here are some "notes" to consider:

1. If the music you’ve chosen is not exceptional, don’t use it. ... If you do use music, don’t steal it. ...

2. Don’t needle-drop [i.e. play a song from beginning to end]. You’re going to need to cut up your music... Try to avoid using music for the full duration of your work. ...

3. Use music with a strong rhythm...

4. Use music with strong stings [i.e. final notes] to provide a definitive conclusion to a section of your production...

5. Turn off other audio tracks when editing music. ...

6. Keep levels consistent. ...

7. Strategically place imperfect music edits. For example, hide an imperfect edit by lowering its volume and placing a voice track over it. ...

8. Create an interplay between your narrative and music. ...

9. Fade music levels as interview bites begin. ...The fade between music and interview should be smooth enough to not draw attention to itself. ...

10. Learn an instrument. The more you understand music, the more skilled you will become at editing music...
For details and examples, read the article here.

Friday, October 30, 2009

Free Alternatives to Essential Multimedia Tools

On his 10,000 Words blog, Mark S. Luckie offers free alternatives to seven of the most commonly used software programs used to create multimedia stories.

His roundup includes programs for Web design, video editing, audio editing, photo editing, audio-slideshow creation, word processing, and even a substitute for Flash.

So if you want to save some money, and don't mind working with less familiar versions of Photoshop or Final Cut, you might want to start looking here.

BONUS: 10,000 words also offers invaluable tips for shooting better videos, here and here.

Wednesday, October 28, 2009

L.A. Times: Your Videos Are an Embarassment

Forgive us if we sound grouchy, but the Los Angeles Times has put us in a real funk. Why? With each passing day, the quantity and quality of their once superlative videojournalism is rapidly declining. In fact, it pains us to say, it's become an embarassment.

Months ago, we wondered why they went so far as to remove their video player from their homepage altogether. A top exec there explained to us that they were revamping and redesigning their video player, and rethinking their multimedia strategies. He assured us that their video stories would be back, bigger and better than ever.

That hasn't happened. Mostly we're stuck with their (print-edition) film and TV critics looking into a camera and reading their latest review. So today we're handing out some tough love.

What on earth is going on over there? Sure, the paper is smarting from all the same economic woes that have befallen everyone in the journalism biz. But there are small-town papers, with a tiny fraction of their staff and budget, that are producing much better video stories.

Perhaps it's especially shocking and dismaying for us, because it was a powerful Los Angeles Times audio slideshow, Marlboro Marine, that helped inspire us to launch KobreGuide in the first place. The Times itself had done such an amazing job of hiding its own gems, that we decided to create a Website that would ferret out the best videojournalism stories on the Web and put them under one roof, so that even viewers outside a newspaper's territory could enjoy them.

But we've been scouring the L.A. Times lately for more great stories like that, and they're few and far between. Despite what they're telling us, they've clearly reversed course on making video a priority. Go to the site yourself, and see how long it takes you to find ANY video, much less any video worth watching.

So here's what happened today that really put us in a snarky mood.

First, we saw this tweet, from the L.A. Times' own Twitter feed:

Video: Reporter Alana Semuels on how the housing slump has hurt timber towns. Read more at http://bit.ly/3T3cuD
Well! We got excited! Sounds like a terrific concept for a video piece. If they sent a good videojournalist to one of those towns, just imagine what a terrific visual story you'd get!

But we clicked the link, and were taken here. Actually, we're going to spell out the entire URL for you, to re-emphasize how un-"user-friendly" newspaper content-management software has become:

http://www.latimes.com/business/la-fi-logging28-2009oct28,0,3380214.story

Once we arrived, we found a well reported, well written text story, on a worthy topic, by reporter Alana Semuels:

Housing slump hits California timber industry like a buzz saw

Weak demand for lumber is forcing some mills to close and leaving many loggers and truckers unemployed.
We also found a link to an uninspired "photo gallery" -- PHOTOS: Housing downturn hits logging town -- made especially more disconcerting by the fact that the seven images are on a separate Web page, making them feel utterly useless and detached from the article itself (which is an uninviting ocean of gray text). Why couldn't the pix be scattered throughout the text, for more visual appeal, as the print version no doubt would design it?

Next we see a link to a "Graphic" :

Graphic: Lumbering along

Again, on a separate Web page, we are shown bar graphs depicting slumps in the price of wood and lumber production, and a California map highlighting towns where sawmills closed. It looks as boring and uninspired as a science textbook. We're guessing that an editor or art director was ordered to attend a Webinar on how to tart up Web stories, and now routinely assigns unimaginative charts and graphs that are exercises in civic duty, not audience engagement.

So where's the video???? Nowhere to be seen!

Adventurous souls that we are, we do what no mortal should be expected to do -- search high and low for it. Among lists of text links at the very BOTTOM of the L.A. Times Web pages, under the heading "Multimedia," you will find a tiny link for "video." We clicked it.

That takes you to a page of one of the saddest collections of newspaper video we've ever encountered. Among a batch of badly arranged and unenticing thumbnail images (with similarly blah text descriptions), we find this: "Housing slump hits California timber industry..."

Going where probably no human has gone before, we click it.

It takes us to this page:

http://www.latimes.com/videobeta/watch/?watch=c68c643b-c75a-4866-8a4a-82f38bd434f1&src=front

(Again, look at that unwieldy URL!)

...with this title:

"Housing slump hits California timber industry like a buzz saw"

And there, at last, is our video. We rub our hands in anticipation. Hard-hitting investigative videojournalism, that takes us behind the scenes of the text story? Introduces us to the major players? Lets us hear the tale in their own words? Shows us the problem up close with impactful and memorable visuals?

Not a prayer.

Here's what we get for our scavenging efforts:

A 44-second video of reporter Alana Semuels, seated against a black background, doing nothing more than introducing herself to the camera, and reading a text description of her print story.

Thanks to their proprietary and problematic video player (that the paper spent months and mucho dineros developing), a huge "PAUSE" icon obscures her face throughout the entire presentation.

See for yourself:



Now, as though this isn't horrid enough, imagine if you somehow stumbled across this video, and now wanted to actually read the story it's touting? Obviously all you need to do is click the link right next to the video to take you there, right? The link that says... well... hmmmm...

Actually, there is no link whatsoever to the print story. So if you start with the video, good luck finding the story it wants you to read. Which makes you wonder: What was the point of the video in the first place? It invites you to read a story that you'll have to work hard to find. (Remember, we got to the text story via a Twitter posting that advertised "video." ) Did the multimedia department need to fill its daily quota of "Videos on $5 a Day"? Or did they just figure, screw it -- who cares about the boring old California lumber industry? It's opening weekend for Michael Jackson's movie.

*****

Despite promises to the contrary, the L.A. Times joins the ranks of newspapers that are missing a golden opportunity to apply resources to the future of journalism. The media institution should be a shining beacon; instead it's a disgrace.

It's a chicken-and-egg situation that we know well -- the L.A. Times won't spend money on video because they say nobody's viewing it... But nobody's viewing it, because it's so lousy!... Plenty of people are watching engaging, informative, high quality nonfiction video -- and their numbers are increasing. The New York Times has wisely positioned itself in the vanguard of superlative videojournalism, having committed to a staff, budget, and Website navigation scheme that ensure an appreciative and devoted following. It's way past time for the L.A. Times to get with the program.

C'mon, L.A. Times! Here's your opportunity. Half-hearted steps lead nowhere. You've still got more resources and talent than most media institutions these days. Apply them to video. You won't be sorry.

Tuesday, September 22, 2009

Ed Kashi: Why You Must Diversify & Collaborate

Visual journalist extraordinaire Ed Kashi shares excellent advice on the LiveBooks Photojournalism Blog today: "To create change, storytellers must conquer multiple media platforms."

It’s not enough anymore to create work for one media platform, especially if you intend to raise awareness about issues or are trying to effect change. Now when I create a new project as a photojournalist or with Talking Eyes Media, the non-profit production company I founded with my wife, Julie Winokur, we have our eyes on expanded opportunities for distribution: the web, social media, books, exhibitions, T.V., lectures, workshops, academic applications, and NGO collaborations. There are undoubtedly even more I haven’t thought, of and we’re always looking for new options.
Kashi emphasizes the necessity for photographers to master the various aspects of multimedia:

To work in this multi-platform landscape, you must develop skills beyond still photography. You should at least be proficient at gathering and editing audio, and preferably you’d also understand video and be able to handle post production to produce a finished piece.
Another advantage of interactivity is that you not only get instant feedback and contributions from your audience (which includes the people whose lives you are reporting about), but also an extra audience boost from the audience itself, who can be eager to share your work, and thus help with its distribution.

This is an important aspect of multi-platform storytelling: It can easily be disseminated to a wide variety of audiences. It also provides the means for those audiences to talk back with the photographer/producer about the work. It is exciting to being able to create a groundswell of interest in this way, by building a feedback loop between the documentarian, their subject, and the audience.
Multimedia requires more collaboration, and Kashi touts the advantages of teamwork -- not only during the creative process....

And what was once a solitary process, working as a still photographer, now takes on dimensions of collaboration, visual explorations, and deeper engagement with my subjects through audio capture.
... but also for disseminating your work...

I recommend that photographers have a vision for not only the the issue you’re reporting on, but also what larger impact you want to achieve and how you see it being distributed and utilized. One key is to work with a great editor who shares your vision and purpose. Editing for a book or editorial essay is vastly different than producing a short multimedia piece. As is curating an exhibition or lecture or teaching tool.

My experience has taught me that collaborating with like-minded people who share my vision and — most importantly — my sense of purpose for the issue at hand is the easiest path to making my vision a reality. I cannot do this alone. Luckily the the working relationships I’ve learned to develop with writers, editors, producers, audio people, and videographers not only help make our projects happen, they also provide creative collaboration that is exciting and deeply rewarding.
Read Ed Kashi's essay here, and be sure to visit his Talking Eyes Media Website.

Also, check out some of Kashi's remarkably diverse work that has been showcased on KobreGuide:

* The Sandwich Generation
See the challenges faced by an estimated 20 million Americans who have to take care of aging relatives.

* Curse of the Black Gold
The Niger Delta is rich in oil, yet Nigerians living there are poorer than ever, violence is rampant, and the land and water are fouled.

* A Meaningful New Mission
Retired Navy officer Rick Koca founded Stand Up for Kids to help homeless teens. In the process of changing their lives, he reinvented his own.

* India's Fast Lane to the Future
A new superhighway linking its four major cities is bringing old and new India into jarring proximity... for better and worse.

* Friends for Life
Timeless tale of two seniors who meet by chance and provide mutual support and affection for each other as they age.

* Arab Christians: The Forgotten Faithful
Followers of Jesus for 2,000 years are disappearing from the volatile land where their faith was born.

Thursday, September 10, 2009

9 Weddings in 9 Minutes, 9/09/09, 9 Guests Each, at a 99 Cents Store

Sure, it's a publicity stunt for the 99 Cents Only store in Hollywood -- inviting nine couples to get married in consecutive ceremonies that each lasted nine minutes, on September 9, 2009.

But the Los Angeles Times took the opportunity to create an upbeat, if slightly surreal, audio slideshow of the event. It gives new meaning to "walking down the aisle."

The images are cleverly accompanied by only the voice of the non-denominational minister conducting the ceremonies. All other info must be gleaned from the accompanying text:

Each couple was allowed to bring nine guests. The couples were supplied with a wedding cake, drinks and fruit after the morning ceremonies. A limousine was provided for the couples and their guests, taking them to the Griffith Park Observatory. The couples were also given a $100 bill in exchange for a penny, and a one-night stay with dinner and breakfast at a hotel in Brentwood.
We would have liked to hear more from the couples themselves -- how they got wrangled into this, what their friends and family think about it, whether they registered at the store. Perhaps the Times will be industrious enough to revisit the couples and see how their marriages are progressing -- next July 11 at a 7-Eleven!

Watch it here.

Photography and audio by Mel Melcon, produced by Bryan Chan.

Monday, September 7, 2009

Poynter Seminar for Visual Journalists

For journalists who appreciate the need to work visuals into their storytelling vocabulary, Poynter is offering a course in Essentials for the Versatile Visual Journalist

Your newsroom is changing everyday. How can your skills as a visual journalist help you excel in print or online? In this hands-on seminar, we provide practical experience and insight to help develop your knowledge of multimedia tools and new story forms. Learn to identify your own strengths and gain a better understanding of how collaboration can enhance storytelling.
You'll learn:

* The best uses of audio, video, still image, informational graphics, interactivity and Web and print design

* How the right tools can facilitate better journalism

* Ways to develop your personal skills and interests toward the most focused career path

To apply, or for more info, go here, or contact seminars@poynter.org

Instructor: Sara Dickenson Quinn (pictured)

Seminar dates: 11/30 - 12/4

Application deadline: 10/19

Tuition: $995

Wednesday, July 1, 2009

How Can Still Photogs Expand Their Multimedia Skills?

Will Yurman is a newspaper staff photographer who, like many of his confreres, has had to add an abundance of multimedia skill sets to his repertoire -- audio gathering and editing, slideshow production, video shooting and editing, even constructing interactive 360-degree panoramic images.

Online journalism professor Mindy McAdams conducted an insightful interview with him for her excellent blog. The Rochester (N.Y.) Democrat & Chronicle visual journalist expounded on the differences between shooting stills and video, and emphasized the importance of audio in multimedia stories. Read it here.

McAdams previously talked to photo editors and multimedia producers at four newspapers to find out what skill sets are in short supply in today's newsrooms. "Video editing, storytelling and audio skills led the list." Read it here.

On KobreGuide, be sure to see Yurman's work and read our interview with him.

Tuesday, June 16, 2009

MediaStorm Methodology Workshop, July 27-31

MediaStorm will be conducting its first workshop devoted to multimedia "methodology" at its Brooklyn headquarters this summer. Participants will learn not how to shoot and edit individual videojournalism pieces, but rather how to devise an overall newsroom (or organizational) multimedia strategy.

Over this five-day course, attendees will participate in a collaborative, fast-paced, hands-on overview of what it takes to produce successful multimedia projects. They will work closely with MediaStorm producers and interactive designers to learn the essential elements of multimedia post-production, project organization and storytelling concepts.

There will be intensive business-oriented discussions as well, critiquing aspects of developing business models that support multimedia and interactive storytelling. Attendees will leave the workshop with an understanding of all the areas they need to create a comprehensive multimedia plan and to educate others on the approach.
For more info, and to apply, go here. Hurry, only 3 slots left.

Thursday, May 28, 2009

Sneak Preview: 'Soul of Athens'

Soul of Athens is an award-winning online multimedia publication that annually attempts to answer the question, “What is the ‘soul’ of Athens, Ohio and its surrounding areas?"

Why Athens, Ohio (pop. 21,000)?

Because it is produced by the town's School of Visual Communication in the Scripps College of Communication at Ohio University.

This year's team of more than 60 people is prepping the launch of the 2009 installment next Monday, June 1.

Meanwhile...

Soul of Athens blog.
Soul of Athens on Twitter.

Soul of Athens: 2008 edition.
Soul of Athens: 2007 edition.

Tuesday, April 28, 2009

MediaStorm: '10 Ways to Improve Your Multimedia Production'

When it comes time to put together your audio and video assets, for better or worse you're stuck working with whatever you've got -- some of which you may not have even shot or recorded yourself. MediaStorm producer Eric Maierson offers "Ten Ways To Improve Your Multimedia Production Right Now" in the edit bay.

He notes that these are not meant to be dogmatic rules but rather helpful aesthetic and technical tips.

When you're finished assembling your story, he advises, "Watch your production on speakers with someone who has not yet seen the piece. There’s something about reviewing your work with an audience that makes one more self-conscious and thus open to seeing new things."

Read the full to-do list, with examples, here. And be sure the explore the MediaStorm channel on KobreGuide.com.

Wednesday, March 25, 2009

NPPA's Convergence '09: June 6-13

The National Press Photographers Association's week-long annual meeting in Las Vegas -- Convergence '09 -- will be devoted to multimedia and visual journalism.

The Multimedia Immersion Workshop (June 6-10) will be "an intense, five-day, hands-on training experience for visual journalists looking to expand and grow their multimedia skillsets."

What you will learn:
  • Effectively planning and developing your story to save time on your workflow and increase the quality of your pieces
  • Professional audio recording techniques in the field from audio documentary experts
  • Hands-on explanations and experiences on how to use audio, video and photo gear -- along with recommendations on gear
  • Training on how to shoot visuals for multimedia storytelling including techniques for documentaries and working as a one-man-band or mobile journalist
  • Hands-on video production editing training and experience on Final Cut Pro, including how to create your own custom composed music and how to integrate cutting edge motion graphics, titles and lower-third labels
  • Get inspired seeing some of the most cutting edge multimedia projects from industry leaders forging the new multimedia storytelling forms
  • Every student will produce their own finished, professional project – from capturing all the content to editing to compressing the final files.
Unlike other multimedia training workshops, we provide the most personalized training experience with the lowest student-to-teacher ratio (with about 25 coaches for 50 students). So students will be personally coached by industry leaders who work at media titans including The New York Times, NPR, Washington Post, MSNBC, and also from leading independent multimedia outlets, including MediaStorm and top academic institutions like Syracuse University.

The Visual Journalism Workshops (June 11–13) will offer "3 days of valuable, practical and inspiring education, focused on improving your skills, marketability, and ability to succeed in today’s competitive still, video and multimedia environment."

Workshop sessions include:

  • Basic and Alternative Storytelling Techniques using Still, Video and Audio
  • Interviewing from Research to Editing
  • Narratives, Script Writing and Production
  • Still and Video Editing Techniques
  • Editing Software Training and Equipment Demonstrations
  • Freelance Instruction and Business Models
  • One-Man-Bands
  • Lighting and Audio Training
  • Multimedia Production, Editing and Coaching
  • How to do Panoramas
  • The Edit Foundry (Avid)
  • Feature Presentations from Industry Leaders

Register here.

Monday, March 9, 2009

Roanoke Times Wins Documentary Project of the Year

Congratulations to the Roanoke Times for winning the Documentary Project of the Year category of the Pictures of the Year International awards.

KobreGuide previously showcased their winning entry, "Age of Uncertainty," along with most of the POY runners-up and finalists -- as well as a majority of the prizewinners in all of the other categories as well.

"Age of Uncertainty" is an ambitious multimedia series that tackles issues affecting the rapidly growing elderly population ... and who will care for them.

KobreGuide salutes the winners, and is pleased that POY recognizes their merits. We will provide a complete list of links to all the prizewinners later this week.

Saturday, February 7, 2009

Multimedia News Reporting Workshop

The Knight Digital Media Center's Multimedia Reporting and Convergence Workshop, May 17-22, 2009, offers intensive, short course multimedia training for mid-career journalists.

The UC Berkeley workshop covers all aspects of multimedia news production, from basic storyboarding to the incorporation of multimedia features in storytelling.

Participants are taught the technical skills they need to produce quality multimedia stories including audio/video recording and editing, Flash graphics, digital cameras, Photoshop and web design concepts. Guest speakers discuss the future of journalism, the role of technology and the importance of audience engagement.

The application deadline is March 13. Info here:

Wednesday, December 24, 2008

Brian Storm Speaks Truth to J-School Grads

"The moment journalism institutions began answering to their shareholders and their ever-increasing demands for profit margins, the public’s need to know was in jeopardy."

The speaker is Brian Storm, visionary president of MediaStorm, the award-winning multimedia production studio based in New York City. (MediaStorm's mini-documentaries are proudly showcased here on KobreGuide.)

Brian returned to his alma matter recently to deliver an excellent commencement speech at the University of Missouri’s School of Journalism graduation ceremony. Here are some highlights:


Walter Williams wrote in The Journalist’s Creed that “The supreme test of good journalism is the measure of its public service.” There’s no mention of 25% profit margins as a metric for success. If you want to make a pile of money, this is not the right profession for you. Frankly, Journalism needs defending against those who would sell it down the river for a quick buck. Journalists lead a rich life, but rarely get rich. We are inherently purpose driven, not profit driven. Simply put, we, the practitioners of this craft, need to take journalism back....

It is one of the most exciting times in history to be a young journalist. You have an almost limitless palette of storytelling tools, an audience unbound by physical borders and the most powerful communications technology ever developed at your disposal.

We strongly encourage you to read his whole inspirational speech over here.