Tina Modotti, Behind the Camera and Out of Weston’s Shadow - A recently republished book sorts out the life of Tina Modotti as an artist and activist -- and the long shadow of Edward Weston.
2 hours ago
My intent when creating this piece was to cover the disaster in a non-traditional manner as well as create a piece that can be viewed as a series of moving photographs... I wanted the visuals to do the talking rather than have sound bites or interviews. Most of the footage coming out at the time was of the devastation and destruction. I wanted to show that life continued despite incomprehensible odds.The visuals are admirable, and unquestionably light years beyond the oft-numbing pedestrian B-roll we've grown accustomed to seeing on TV newscasts. But we would argue that the piece falls short of telling its intended story, and not necessarily just because it substitutes a maudlin strings soundtrack for human voices.
The Concentra awards an annual prize to a journalist who, in terms of both substance and production, produced an interesting news item which was broadcast on a news program of a television station. By awarding this prize, Concentra aims to stimulate journalists to film and edit their own pieces, so they master the entire production process themselves. Established in 2004, the award comes with 10,000 euros (approx. $14,000 US) in prize money.
We hope their work inspires you to think about ways you can use your video camera and YouTube to share important stories with the rest of the world.
The other four nominees are The Economist, National Geographic, the The New Yorker and Wired -- putting us in the company of titles with substantially more financial and journalistic resources, but not necessarily better ideas about how to tell stories on the web.Alas, lacking those financial resources, after only two years, Flyp will publish no more. The investment capital has dried up, and until more is found, the revolutionary online mag will stand as a bold testament to what could and should be. (Editor Jim Gaines recently left to start his own interactive company.)
The Webby Awards is the leading international award honoring excellence on the Internet. Established in 1996 during the Web's infancy, the Webbys are presented by The International Academy of Digital Arts and Sciences, which includes an Executive 750-member body of leading Web experts, business figures, luminaries, visionaries and creative celebrities, and Associate Members who are former Webby Award Winners and Nominees and other Internet professionals.As always, many of the nominees have previously been showcased on KobreGuide to the Web's Best Videojournalism.
The Webby Awards presents two honors in every category -- The Webby Award and The People's Voice Award -- in each of its four entry types: Websites, Interactive Advertising, Online Film & Video and Mobile Web. Members of The International Academy of Digital Arts and Sciences select the nominees for both awards in each category, as well as the winners of the Webby Awards. However, you, the online community, determine the winners of The People's Voice by voting for the nominated work that you believe to be the best in each category.You can vote for your favorites in the People's Voice awards at http://webby.aol.com/ .
If I had to make one distinction that separates the Platypus Workshop from so many of the other DSLR workshops that have sprung up of late, it’s the workshop’s emphasis on telling the story – and the story is everything. Before you even set out to start shooting your final project, you need to get your “commitment” approved by PF or Dirck. You need to present to them in a concise sentence or two what your story is about. If you can’t articulate what your story is about – you ‘re sent back to the drawing table to refine or define what your message is. That’s a pretty big distinction if you think about it because without a solid story, even the most technically proficient videos will fall short with a viewer and end up being an unmemorable piece of fluff....Gail Mooney's blog, Journeys of a Hybrid, is chockablock with excellent insight into straddling the worlds of photojournalism and videojournalism.
Good story telling never goes out of fashion , no matter what tools one chooses to use to tell their story. A good story is a good story....
The tools may have changed since my days at the Platypus Workshop but the fundamentals of video journalism are pretty much the same. I’m grateful for that foundation because telling the story is what it’s all about and that never goes out of style.
Because “TimesCast” is taped and edited, Keller said he should have said, “cut,” and given a more careful summary of the story then in progress. Ann Derry, the editor in charge of the paper’s video operations, said, “Several pairs of eyes view every segment — and the entire show — before it goes up.” She said they all missed Keller’s errors and will “‘button up’ our procedures going forward.”But what exactly does that entail? It seems that, no matter what, we will be treated to a Hollywoodization of an editorial meeting -- with real journalists, real stories, real situations... but ultimately a fake experience. Since everyone is camera-conscious to begin with, and subject to editing, it can never actually be a true fly-on-the-wall depiction.
The Denver Post spent two years following Fisher on this journey from high school graduation through boot camp, deployment in Iraq and his eventual return home. Through a series of 8 videos, this exhaustive multimedia project chronicles Fisher’s life as it is shaped by his experiences of young adulthood.Well deserved kudos to all.
The project intersperses still photographs and videos interviews with Fisher, his parents and Army colleagues, capturing his day-to-day experiences as a recruit, soldier, son and friend.
The project was published over three days and includes photo galleries, in-depth stories and a unique collection of multimedia extras including a glossary of military terms, snapshots through Humvee windows and messages from soldiers to their loved ones back home.
I recently finished my masters project as a graduate student in Ohio University's Visual Communications program. My project, Dave LaBelle | The Lesson, is a biography on my teacher from Western Kentucky University. As I told my masters committee, my intended audience for the project are the photojournalism students and teachers who I believe can benefit from the advice and life experience of Dave LaBelle.
Feel free to use the weblinks below in your classrooms. Hopefully they'll inspire discussions between you and your students.
* Dave LaBelle | The Lesson http://vimeo.com/7866068
* Dave LaBelle | A Storytelling Lesson http://vimeo.com/7983087
* Connecting The Eye and The Heart http://vimeo.com/8021802
* Beginnings http://vimeo.com/8021631
* A Sense of Community http://vimeo.com/8021443
* Western Kentucky University http://vimeo.com/8021195
* On Storytelling http://vimeo.com/8021072
* Memphis http://vimeo.com/8020736
* The Great Picture Hunt http://vimeo.com/8020513
* Final Thoughts http://vimeo.com/8020292
What gives? This is the second year in a row I’ve placed in this News Video category. Last year I received a 2nd place, but no third was given. This troubles me. Not because I didn’t place higher, but because the judges didn’t see a video that reached a high enough level of excellence to place.Rather than stew, he sought to figure out what was missing. During an online chat with the contest judges afterwards, he asked forthrightly why they chose to withhold those awards. Their response, as we previously reported, was illuminating:
"This was a real struggle for us. Many were full of technical errors and ignored the basic principles of photojournalism. We saw lots of evidence of urgency, however we really couldn’t award anything that had technical or fundamental errors."Then as fate would have it, Colin subsequently helped judge the NPPA’s Monthly Multimedia Contest ... and saw for himself what the other judges were seeing.