The Scientists Who Track Climate Change in the Field - Lucas Foglia has spent the past two years photographing the climate scientists who traverse glaciers and mountains to collect data — work that largely goes...
13 hours ago
INDE winners are for Web sites not affiliated with, or supported by, a news organization;
UNDER winners are for Web sites that are affiliated with a major media organization and whose site has fewer than 2.5 million unique page view per month;
OVER winners are for Web sites that are affiliated with a major media organization and whose site has more than 2.5 million unique page view per month.
HM = Honorable Mention
"Audio-enhanced photographic story-telling presented in a gallery or slideshow format. Animation can be used only to advance from one photograph to another. The emphasis here is on presenting great News, Sports and Feature photographs with the additional level of detail that audio can provide. There is no video allowed in this category."
In several cases, the judges did not make awards at all after finding entries to be below the minimum bar of excellence for which this contest stands. In other cases, they chose not to award a first place but included subsequent places for work that was the best in the category. It is our hope that in these situations, the entries that did place will be closely examined so as to establish a benchmark for the level of excellence in storytelling we seek.Tomorrow on KobreChannel: The judges explain their choices, and reveal what qualities they look for.
One of the biggest requests we get of Photoshop is to make adding, removing, moving or repairing items faster and more seamless. From retouching to completely reimagining an image, here's an early glimpse of what could happen when you press the delete key.Already there's fear among pro photogs and stock houses -- and glee among image purloiners -- that it's a one-stop solution for eradicating protective watermarks.
Boston.com built out a studio and bought equipment -- an investment that cost in the "low thousands," according to Solomon. "A lot of people are taking news in a lot of different ways, and the growth of video is astronomical right now. It's an easy way to take in the top headlines of the day," he added.Translation: they took the cheap and easy route, not the innovative or forward-looking one. TimesCast represents an investment; Globe Today smacks of the least they could get away with. (And where exactly are those "low thousands" being spent? Technologically, it features nothing that isn't routinely accomplished on a $20 Webcam in a dorm room.)
“It’s not just straight, breaking news, it’s talking about the way The New York Times is looking at the story – our analysis, our particular take on the story,” said Ann Derry, the paper’s editorial director for video and television. “We already produce a lot of video to go along with stories, but we felt the need to have a regular video news overview on the home page.”The TimesCast shares the articulate intelligence and polished production values of those other videos in its classy stable.
Audio-enhanced collections of still photographs presented in a gallery or slideshow format, that tell a clear story. This category is for still photography combined with audio only. There is no video allowed in this category. Subcategories: News, Feature, Sports, Natural Disaster.* Multimedia Package
Highlights the use of audio, video and animation in the presentation of web-based stories. Judges will pay special attention to the use of available technology to complement and enhance the art of visual storytelling. Entries may include single galleries, slideshows or video, as well as packages that include multiple elements that were grouped and published together as a single story or theme. Content, usability, and interactivity are key to this celebration of cutting-edge storytelling. Subcategories: News or Feature, Natural Disaster.* News Video
A story that covers a planned or unplanned news event or a subject of general interest and importance. It can be spot news or a follow up or side bar to spot news. The event should be timely. The entry should contain no music, except where it's part of the natural sound of the story. Stories must have been shot, edited, and posted on the web within 48 hours. Maximum viewing time: 10 minutes.* Feature Video
A feature or human interest story, or series of stories. Maximum viewing time: 20 minutes.* Sports Video
A planned story or series of stories about the preparation for, analysis of, or audience reaction to a sport, or coverage of a sporting event. Greater weight will be given to stories that have sports action video and focus on the competition. Maximum viewing time: 20 minutes.* Documentary Video
A planned story or series of stories about a subject of general interest and importance, where the photojournalist has put considerable time and effort into the production of the entry. Documentaries must show imagination and creativity in story choice, execution and editing. Maximum viewing time: 30 minutes.* Natural Disaster Video
A feature or human interest story, news story, or series of stories related to coverage of the natural disasters in 2009. Maximum viewing time: 20 minutes.* Special Awards
Once the judging for the Audio Slideshow, Web Video, and Multimedia categories is complete, the winners will go head-to-head to determine the absolute best of web photojournalism. The winner will demonstrate a mastery of photographic and visual storytelling in an online environment. Content, interface design, navigation, and interactivity will all be evaluated to find the site or multimedia team that best furthers the evolution of online visual journalism. Categories: Best Audio Slideshow, Best Web Video, Best Use of Multimedia, Best Use of the Web.We'll be posting some of the winners on KobreGuide -- where you can bet many have been showcased since their original publication!
The video was one of five finalists in the video category that included National Geographic and The New York Times Style Magazine. Directed by Chad Stevens, the 20-minute video depicts the enormous environmental and human costs of mountaintop removal mining. The practice, which involves blasting the tops off mountains to get at the coal seams below, has destroyed or severely damaged more than a million acres of Appalachian forest, buried nearly 2,000 miles of streams in mining debris, contaminated water supplies, and driven some local residents from their homes.
Published at the Yale School of Forestry & Environmental Studies, Yale Environment 360 features reporting, commentary, and analysis on global environmental issues. It has been recognized for digital and editorial excellence, including winning a 2009 Online Journalism Award for Best Specialty Site Journalism.
Our goals are to take stock of the revolution occurring in how Americans get information and provide a resource for citizens, journalists and researchers to make their own assessments. To do so we gather in one place as much data as possible about all the major sectors of journalism, identify trends across media, mark key findings, delve deep into each sector and note areas for further inquiry.Read it here.
This year’s report is the most interactive it’s ever been, and contains a number of new features...
The market share of visits to Facebook.com increased 185% last week as compared to the same week in 2009, while visits to Google.com increased 9% during the same time frame. Facebook briefly topped Google last Christmas and New Year's, but this is the first time the website's weekly numbers have beaten Google.Read more here.
The new data is sure to unnerve Google, which has been trying to crack into the social networking market -- with controversial results. For Facebook, the data will add further fuel to its push to go public sometime in the next year or two, as CEO Mark Zuckerberg has suggested. Analysts predict that when Facebook does go public, it could see an immediate valuation of $35 billion -- a figure which could rise to $100 billion by 2015.
The series, to debut March 19, will run in newspapers, on radio stations and online news outlets statewide over the next three weeks.Read more here.
Over the course of six months, USC Annenberg journalism graduate students interviewed dozens of state and local-level food bank officials as well as the Californians who struggle with food shortages every day. The reporting unearthed new numbers that show hunger is rising at an unprecedented rate nationwide, affecting millions - including those in affluent areas - but is invisible to many.
The stories explore food waste, nutrition in schools and ways to help Californians fighting to ward off hunger. The project reveals that nearly one in eight people in California has asked for food assistance in the last year. Food banks and social services are overwhelmed, reporters found.
The Los Angeles Times teamed a staff reporter with a student to produce a story explaining how California leaves millions of federal dollars on the table because of problems in the way the state runs its end of the food stamp program.
Behind what we see, though, are some critical developments in processing of digital video, the behind-the-scenes heavy lifting that often determines time-to-market, and business failure or success.Read more here.
For the Times, it’s not a matter of harvesting decades of archived film; it’s about making the most of its last three years of a video push. The Newsonomics are these:
Lastly, the outsourcing here is essential. News companies are in learning mode — what is it they do best?; what do they leave to others. In this case, the Times and others are applying my Newsonomics Law #9: Apply the 10 Percent Rule, the heavy lifting of journalism can be aided and abetted by smart use of technology.
- Make more licensing income off the video. ...
- Better usage of companies’ own produced video (and partnered video) on their own websites, apps, and tablets. ...
- Put your content into new marketplaces. ....
Video is in the air — C-SPAN’s release of its volumimous archives reenforces that notion — but as usual, it’s the less-glamorous, behind-the-scenes work that will separate the winners from the companies stuck in text mode.
The move is an effort by Google and Intel to extend their dominance of computing to television, an arena where they have little sway. For Sony, which has struggled to retain a pricing and technological advantage in the competitive TV hardware market, the partnership is an effort to get a leg up on competitors.Read more here.
The partners envision technology that will make it as easy for TV users to navigate Web applications, like the Twitter social network and the Picasa photo site, as it is to change the channel.
Some existing televisions and set-top boxes offer access to Web content, but the choice of sites is limited. Google intends to open its TV platform, which is based on its Android operating system for smartphones, to software developers. The company hopes the move will spur the same outpouring of creativity that consumers have seen in applications for cellphones.
Google is expected to deliver a toolkit to outside programmers within the next couple of months, and products based on the software could appear as soon as this summer.
In a scoop that almost beggars belief, ABC Nyheter’s Andreas Lunde, tracked down the man wanted for the brutal murder of Norwegian Scandinavian Airline stewardess Vera Vildmyren in Copehnhagen, a man sought by both the police and the press, with a simple Google Search.Read the whole story here.
“I found a blog post he had commented on, using his name and phone number when doing so, put the Rumenian land code in front of the number and called,” Lunde told Danish TV2 News.
Clita picked up the phone, confirmed he was indeed Marian Clita, professed to be unaware the police was searching for him, but, when asked if he had any knowledge of the murder, said he would get a taxi to the police station in ten minutes – and kept his word.
When they shoot video and create multimedia stories for the AP, generally we use what they produce in three ways:That treatment has paid off well for AP's Julie Jacobson and Evan Vucci, who are each represented here with meaty accounts of how they developed award-winning multimedia stories:
As B-roll for inclusion in our broadcast television products where it will be mixed with other video from a variety of sources.
As broadcast-style pieces for the Internet, usually one minute to one-and-a-half minutes in length with an off-camera narrative voice. Still images are often included as visual punctuation in these stories.
As long-form, protagonist-narrated stories, relying on natural sound when there is not a narrator’s voice. Destined for the Web, these video essays sometimes work for broadcast use as well and they incorporate a lot of still images.
“Killer Blue: Baptized by Fire,” a multimedia project I worked on at AP, blends video, audio and still photography in the service of telling in depth a poignant and powerful story. Those who come to this story hear the voices of soldiers from Blue Platoon who were among the last to serve a 15-month combat mission in Iraq when they returned home in 2009. Meshing photographs and video with these soldiers’ recollections and the raw expression of their feelings enabled us to dig deeply inside of this platoon’s life in Iraq and at home.And there's plenty more, including online exclusives:
clp.ly is a tool that makes it easy for users to clip and repost original content. It brings quotes and reposts to life and does it while maintaining the visual integrity and intent of the original publisher with correct attribution and links back. In addition, clp.ly provides analytics for publishers on how their content is being used, what context it’s placed in, and how it's being consumed. The clip maintains its intended form, enhancing the reader’s visual experience and understanding of the original content. Each clip carries attribution and a link back to the originating site.clp.ly CEO John Pettitt asked members of the National Press Photographers Association (NPPA) for "feedback and thoughts on how to make the product as photographer friendly as possible."
It's a web clipping and quoting service, a one-click way to make a low resolution screen grab of the top part of a web page that's easy to repost in email or on a blog. It will automatically add a backlink for proper attribution and track where the clip is reposted and how many people view it. clp.ly also has a quoting feature that does something similar with quoted text.We tried it ourselves, and here's what KobreGuide.com looks like:
The overall idea is that more and more people are 'curating' the news [and] not really adding much. This gives them a tool to make their posts more compelling while at the same time encouraging the reader to visit the original sources by only providing part of the page at a low resolution. Think of it from a user's standpoint as a tool for fair use.
From a publisher's standpoint it's a way of driving more web traffic. Put a 'clip-this' story button on a page, and people can repost it in a way that carries branding and context, with correct attribution, that drives traffic back to the source and provides analytics on what is being clipped and which parts of a story are being quoted.
One of my concerns in building it is that a thumbnail of a photo is still a photo, and while the law is on the side of fair use, I'm still a photographer and so sensitive to the issue.
Here is a clipped page from the NPPA site (http://clp.ly/Lw4+)that illustrates the issue and here is a demo blog with some posts (http://heythisisinteresting.blogspot.com/)